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Complete Method for Modern Guitar (Mb93396), by Mel Bay
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All seven volumes of Mel Bay's original, internationally acclaimed Modern Guitar Method series are included in this single, deluxe master compilation. No other comparable method exists for the guitar! As Mr. Bay perceived the need for a guitar method that would effectively teach beginning guitarists to read music, this method is intentionally written in standard notation only, providing just enough music theory to understand what the student is required to play at any given point. Although fingerstyle technique can be applied to the pieces and studies, this book is specifically tailored for the plectrum-style player. Contains hundreds of beginner through advanced solos and duets in all fretboard positions and all keys, plus all four-note rhythm chord formations on high, middle and low sets of adjacent strings. This edition also includes additional outstanding plectrum guitar solo arrangements not found in the original seven volumes. All in all, this outstanding method leads the student to total mastery of the fretboard.
- Sales Rank: #983386 in Books
- Brand: Mel Bay
- Published on: 1980-06
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .73" w x 8.50" l, 2.23 pounds
- Binding: Paperback
- 320 pages
About the Author
Mel Bay was born on February 25, 1913 in the little Ozark Mountain town of Bunker, Missouri. He bought a Sears Roebuck guitar at the age of 13 and several months later played his first "gig." (He recalled playing until his fingers were raw!) Mel took up the tenor banjo shortly thereafter and continued to play both instruments. During his teenage years Mel played with a wild assortement of bands and characters in rural Missouri. Perhaps no "gig" was as strange as the job he landed with, in Mel's words, "a snake oil salesman." This flamboyant peddler would pull his ostentatious Pierce Arrow automobile, complete with steer horns mounted on the grill, into the center of a small, rural town. Mel would sit on the car and play up a storm on the tenor banjo. After a crowd gathered, the peddler took over and began extolling the merits of his "wonder elixer."
In 1933 Mel Bay moved to St. Louis and began his professional career. He played with numerous local and traveling bands. In addition, he landed staff guitar jobs on several radio stations. Mel fronted his own trio (piano, bass, guitar) and played steadily for 25 years! He was equally adept on most fretted instruments and played mandolin, uke, Hawaiian guitar, tenor and plectrum banjo professionally.
While Mel was actively pursuing his playing career, he continued to teach as many as 100 students a week. He decided to begin writing instructional materials due to the difficulty encountered by guitarists at playing good sounding chord forms in rhythm sections and due to the poor note reading ability prevalent among guitarists.
After the war Mel was asked to write instructional materials on guitar for GI's wanting to learn music under the GI Bill. In 1947 Mel formed his own publishing company and wrote his landmark initial book titled The Orchestral Chord System for Guitar. (This book is still in print under the title Rhythm Guitar Chord System and continues to be one the finest rhythm guitar chord texts available!) His Modern Guitar Method was penned shortly thereafter. For years Mel traveled from town to town talking to guitar teachers and players and showing them his publications. At one time Mel claims to have known virtually every guitar teacher in America on a first name basis! The guitar and Mel Bay books caught on in a big way in the 1950's. Things have continued to grow ever since.
Mel used to sell D'Angelico guitars. At any given time he would have 5 or 6 "lying around the house." Mel played professionally on his New Yorker model but his favorite was the initial Mel Bay Model crafted as a gift for him by John D'Angelico. This famous guitar had all of the main features of the New Yorker but was a "cut away" model and had a slightly thinner neck. This instrument has been pictured on the Mel Bay Modern Guitar Method for decades.
Someone once calculated that sales of guitar books written by Mel Bay have exceeded 25 million copies. When asked, Mel frequently said that he quit counting long ago. Sales of his Modern Guitar Method have alone surpassed the 7 million mark. It is safe to say that Mel Bay is one of the pivotal figures in the world of guitar music and instruction in this century.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Probably the best "method book" ...
By SneezeAttack
First of all, the original title of the book (when it was written in the late forties) may have been "Modern Guitar Method," so it's not surprising that there have been modern advancements since then. The absence of Whammy tricks or 7-string sludge metal is not the fault of the book, but the fault of an unwise consumer. Do your homework on anything you purchase, because there are other resources available for those recent developments. If guitar has been around for several hundred years, "modern" should at least be enough to differentiate it from "classical" (though I do agree that it shouldn't have been given a title that could become dated in the first place, and they should have thought of that 60 years ago).
The book itself is excellent, but not perfect (I'll say what's good about it later). The whole thing is 320 pages, and like any book that's meant to be played, it would help to have a spiral or plastic comb binding. It is possible to prop it open with things you have laying around though, and I understand that the bookshelf would be an uneven mess if everything were spiral or plastic comb bound.
Also, no one book is a complete learning experience on its own. It's a good idea to have a supplement. The author's explanations of theoretical topics are sporadic, and his other books that go into greater detail are dubious by comparison. I recommend Mel Bay's "Easiest Guitar Theory Book" by Rob Goldsmith.
This book is a compilation of the seven volumes that comprise this method. It would have been nice to have a small indication, perhaps in the margin, of where one volume ends and another begins (for gauging progress, or just curiousity).
There are side panels throughout the book, which are brief explanations of certain things as you go along (the concept of a rest, eighth notes, upstroke, a different time signature, tone, etc.) I haven't worked all the way through it yet (and people who have are probably too busy playing gigs every day/night to stop and write a review), but from what I can tell so far, these side panels are usually timed pretty well. It might explain 3/4 time just before a waltz on the next page. It's still better to have a supplementary book though, or a teacher.
I'd say the best thing about this book is its pacing. It doesn't advance too quickly (Berklee, which is still a good book) or not at all (Hal Leonard, which is not good at all). Any beginner can start after at least several weeks of lessons, and any intermediate player can breeze through the beginning parts until finding a comfortable spot to start working.
9 of 10 people found the following review helpful.
A good book with a misleading title
By Memyself
I'm not sure why this book is still being published with the same title that it has at his firts edition back in the late 40's. At that time it was in fact "modern" since the pick wasn't the usual choice in guitar playing and playing in a swing band was the dream of a teenager. Today's problem is that a costumer might buy this book thinking in Rage Against the Machine or the latest Vai Album and feel dissapointed when he finds out about the naked true.
So, the title is misleading, but it is a bad book? Not at all, it's a good book, a very good one, maybe some people prefer examples and excersises that sound in the style of AC/DC or Metallica but, althought I'm a HUGE fan of Angus Young, sometimes I like to play the old fashion way. The book is a progressive method that begins from the very basic and work his way out to very advanced subjects, there is an special enphasis in chord working but I would recommend other book with a more contemporary approach - it seems that his chord system has been thought to be used in the context of the "Big Bands" of that time. Same with the picking instructions, the picking technic has evolved a lot in the last 50 years and you might find it accurate.
However, the theory is very well presented and the secuense of the examples is very appropiate. I've have read some critics saying that the examples are very "old", meaning that they don't like it, but try not to see things that way, music has no age, some examples are very beautiful and prove that there has always been great musicians in this world.
And for technical development, anyone who finish the book will be able to meet most of today demands in contemporary guitar. Of course, you won't become Pat Metheny with this book alone but it will give you a very good technical foundation.
Do I recomend it? Yes, I do. But please, look at it as what it is and don't expect "modern" stuff as the title seems to promise but also don't treath it like if it were an outmoded piece of junk, is not.
6 of 6 people found the following review helpful.
Guitar Players Can Read Music Too
By Haff Note
This guitar method teaches students to read actual music notation rather than tabs. It progresses gradually through all scales, chords, and arpeggios for the entire fretboard like Leavitt's Berklee Press, A MODERN METHOD FOR GUITAR, but in a less intensive format. It also uses familiar songs arranged according to grade level rather than original pieces.
It was disappointing to see that errors in notation in early editions were not corrected in this update. A spiral binding would have been a better choice.
Overall, however, it will give the serious student plenty of information and a beginning repertoire of songs to play.
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