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Too Loud a Solitude, by Bohumil Hrabal
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Hantá rescues books from the jaws of his compacting press and carries them home. Hrabal, whom Milan Kundera calls “our very best writer today,” celebrates the power and the indestructibility of the written word. Translated by Michael Henry Heim.
- Sales Rank: #41929 in Books
- Published on: 1992-04-27
- Released on: 1992-04-27
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .29" w x 5.31" l, .26 pounds
- Binding: Paperback
- 112 pages
Most helpful customer reviews
3 of 3 people found the following review helpful.
One of my favorites
By Michael M
My favorite of Czech future dystopian literature (The only other book that comes close is Stanislaw Lem's Futurological Congress, which is a more colorful and intricately developed work than the more widely read, "Solaris"). The translation is very good, and Hrabal's writing style is easily accessible to Soviet drunks trying to escape the ails of their age - that being said, this book was banned by the Goskomizdat (Soviet state agency for the censorship of written materials) during Hrabal's lifetime. It's a good book to read, but a better book to gift to anyone who is looking for meaning in society, or introspection in a system of seemingly innocuous vagaries and throw-away culture.
1 of 1 people found the following review helpful.
We make our own meaning
By Judy K. Polhemus
For thirty-five years Hanta compacts trash in what he calls his basement because he spends so much time there. In truth, it is his workplace. In reality, it is his life. He finds his essence in life through what he compacts and does not compact. No marriage. No children. Just compacted trash and the treasures he saves. He has spent his life in "Too Loud a Solitude."
This short book is apparently various things to various readers. It's the memoir of a man who works 24/7, so to speak, without a vacation. It's a parable of modern times replacing old ways of doing things and the people who do them. It's a metaphor for the condition of man: head in the glory of the heavens, feet in the grossness of the sewer. It's a satire of the indestructability of books and knowledge. It's a tall tale about a man who wraps up trash in beautiful Old Masters' art reproductions or hiding one book treasure in the center of each bale of trash. It's a story of love for books and the treasures in words. It's the sacrifice of the beautiful for the ugly. Or vice versa.
Whatever the reader chooses, the story remains that of a man finding meaning in a life that could be ugly, dirty, sordid, and depressing. Instead, Hanta seeks out books that he deems worthy of saving. All his compacting friends take home books. Hanta himself has two tons of books on shelves over his bed like the Sword of Damocles over his head. That's just over his head. Along his walls, in his bathroom, in every available space there are books he has saved during his 35 years on the job.
I, as reader, was appalled that Hanta relates scatalogical stories so often until I realized he faced-- head on-- the ugly, sordid aspects of life, including waste products of the body, as well as waste products of the mind. Yes, books not sold, not read, just "wasted" as trash. Which is worse?
This amazing little book should be required reading for all young people looking for their livelihood. Hanta will show them the dignity of all work and the meaning of it all. Or not. Hanta does have the last laugh, so to speak.
1 of 1 people found the following review helpful.
I recommended it for book club
By Mo Money
This is more poetry than prose, in my opinion. I recommended it for book club, and it did not get very good reviews from my co-workers. It's a beautiful work, a quick read, and I really enjoyed the almost musical quality of the words.
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