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Phantom of the Opera, by Gaston Leroux
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Gaston Leroux's phenomenal novel, which inspired the hit Broadway musical, remains one of the most original suspense stories ever written.
Erik, a brilliant but hideously disfigured musical genius, lives in the basement of Paris's National Academy of Music, where he haunts the opera crowd in his mask and fancy clothes. The Phantom falls in love with Christine Daa�, a beautiful soprano, and gives her music lessons by magically throwing his voice. But Erik is stunned to learn that Christine loves Raoul, the Vicomte de Chagny, who disappears around the same time his brother, Count Phillippe, is found dead outside the Academy.
A haunting tale of obsession, a touching story about internal beauty, and a top-notch detective drama, The Phantom of the Opera is a remarkable novel.
- Sales Rank: #2495471 in Books
- Brand: Brand: Unicorn Pub House
- Published on: 1988-09
- Original language: English
- Binding: Hardcover
- Used Book in Good Condition
Review
Ingenious . . . breathless suspense. --The Nation
From the Trade Paperback edition.
Language Notes
Text: English, French (translation)
From the Publisher
The novel that inspired the Lon Chaney film and the hit musical. "The wildest and most fantastic of tales."--New York Times Book Review.
Most helpful customer reviews
12 of 12 people found the following review helpful.
A Wonderful, Thrilling Classic
By Unknown
As a fan of the musical, I wanted to dive deeper into the story of the Phantom, Christine, and Raoul. I expected it to be dry and bland; little did I know that it would feature lots of exciting twists and turns as well as new characters that weren't mentioned in the stage version. It is especially great for learning more about the characters we already know and love from the play. I highly recommend this book to anyone, even those who may not have seen the musical. Happy reading!
25 of 27 people found the following review helpful.
A Beautifully Crafted Book.. One You Will NOT Forget
By Lizard Geek
For those who don't know, the famous musical "The Phantom of the Opera" is based off of this book. I can tell you first-hand that that musical is a lifetime experience. The performance has been made into a movie, even.
It does not matter in what order you read this book, see the show live or watch the movie. You don't have to do them all, but each gives a different perspective.
The book "The Phantom of the Opera" is a classic love story, but far more complex than just that. The writing style is slightly awkward in this day and age, and the translations from the original (in French, I believe) are above average. Despite this, the style hints of the past, which it takes place in (1875ish). Also, there are no obvious spelling errors or any peculiar phrases that you can find in books of this day and age today.
In an Opera Populaire, there are rumors and fears of a ghost, Opera Ghost, or O.G. He is said to be everywhere but found nowhere. This ghost causes no disturbance as long as his demands are met--a salary, Box 5 left empty, and Christine Daae to sing onstage every now and then.
But of course, the owners won't have any of it. They don't believe in the supernatural..
And neither does Christine's lover ("boyfriend"), Raoul. Until, of course, Christine herself tells him.
But what she actually tells him is what the story's about.
The Phantom, as he's known in the movie, loves Christine. He has been the one teaching her to sing after her gifted violinist father died. Christine, however, has never seen the Opera Ghost until he kidnaps her, wanting to be with her forever. He wears a mask to cover his disfigured face, and because of his malformations his own mother feared him. The Phantom has never known compassion, and doesn't know how to express himself to Christine. He has only ever known violence, and this is evident as he meanwhile threatens and murders, and brings down a chandelier during a performance.
Christine's heart, however, is to Raoul instead. Raoul seeks killing the Phantom, who would do anything for Christine.
Now, let me draw the line here between the show and movie, and the book. The show/movie is solidly based off the book, but does NOT follow it. The musical is just as good as the book (a rare occurrence in this world), but the book is more... descriptive. In a violent way. Both are definitely without a doubt PG 13+, but the more gruesome screens and dark moods lie in the book instead.
Book (as violent as it gets): People die, bodies are found (no solid description of them), there's a Torture Chamber which drives a few people to insanity, a gun, gruesome descriptions of The Phantom, a few people almost drown, kidnapping, supernatural power-y stuff. There is no sexual content beyond a PG 13 level. A very creepy tone, not recommended for ages below 15.
Movie/show (as bad as it gets): People die in violent manners (two hangings), a gun, The Phantom with his disfigured face, mild sexual content, not-so-much-kidnapping-but-still-there, supernatural power-y stuff, and that's really about it. More of a life lesson story, has a lighter and more inspiring tone to it. To be honest here, there's no specific age level I'd recommend, instead I'd simply say the show/movie is for the mature only. A few lyrics are opera too, and hard to understand, so factor that as well.
Movie is about 2 hours, plus another 40 minutes if you watch Andrew Lloyd Webber give a speech and all the original cast sing. The book is just under 200 pages. The show: plan on 4 total there. If not more.
I am greatly obsessed with The Phantom of the Opera and immensely enjoyed the book and movie. Today, it's THE best musical you can see, better than Wicked, Camelot, etc.
Now, whenever something happens in my house,
"He's there, the Phantom of the Operaaaaaaaaa!"
3 of 3 people found the following review helpful.
No one
By EA Solinas
The mask, the music, the dark mysteries, and the tortured, deformed genius who just wants love. "The Phantom of the Opera" is so well known that its story needs no explanation.
But Gaston Leroux's novel is still a spellbinding experience, full of atmospheric horror, a sense of gothic mystery, and lushly evocative language. But its crown jewel is Erik: a magnificently tortured anti-hero who inspires more horror, pity and sympathy than the rather flat hero and heroine.
The Paris opera house is said to be haunted by a ghost with a "death's head," who demands a small salary and a reserved box. Despite the sightings and fears of ballerinas and stagehands, the new managers are determined to stamp out this ridiculous story -- despite threatening letters and increasing accidents that happen around them.
Meanwhile, budding diva Christine Daae is taking Paris by storm, although nobody quite knows who taught her how to sing. And when her childhood friend Viscount Raoul de Chagny pays her a visit, he hears a passionate exchange between her and a man -- but there's no man there. She credits her new vocal abilities to the Angel of Music, but of course, that self-same Angel is the opera ghost.
As the Phantom becomes even more attached to Christine, Raoul soon finds that the ghost is actually a half-mad, horribly deformed musical genius named Erik -- and that after Christine saw his true face, he made her become engaged to him. The young lovers plan to run away together, but the "Angel of Music" isn't about to allow his beloved Christine to leave him...
Apparently there actually were some odd events -- including rumours of an opera ghost -- happening when Gaston Leroux began writing "The Phantom of the Opera." And it's a credit to his imgination that he was able to spin a some odd facts into a harrowing, heartbreaking love triangle that's based on music, obsession, adoration, and a bit of pity. And, of course, a frighteningly sympathetic "villain."
Admittedly the style is very "penny dreadful": melodramatic and overloaded on prose. But Leroux's talent shines through -- he drapes the book in a haunted atmosphere, full of snowy graveyards, dark opera backstages and underground labyrinths, all with Erik's presence hovering over it. The plot is mostly a slow, satiny procession toward the inevitable blowup, but Leroux does tinge it with scenes of romantic drama, a feeling of dread, one shocking action scene, and even some quirky humour at times.
And Leroux's writing is simply astounding as he describes the corpselike appearance of Erik ("... tore his terrible dead flesh with my nails") and his "death's" head appearance at the party. But he also excels at the more poignant moments -- Erik's final, rambling monologue to Christine after she kisses him is heartbreakingly clumsy and saddening.
Though Christine and Raoul are the hero and heroine of the book, they're actually kind of flat. Erik is the real star -- an arrogant genius who is also pitifully lonely. And insane. Despite his crazed behavior -- which results in at least two deaths -- it's hard not to feel sympathy for someone cursed with such a ghastly appearance, and so starved for human contact that a single kiss changes his life ("... he tried to catch my eye, like a dog sitting by its master").
Despite being a bit overblown in the style of its time, "The Phantom of the Opera" is a triumph of atmosphere, horror, and one of the most memorably sympathetic "villains" that you can find on the shelves. Magnificent.
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