Ebook A Poetry Handbook, by Mary Oliver
This book A Poetry Handbook, By Mary Oliver deals you far better of life that could develop the top quality of the life brighter. This A Poetry Handbook, By Mary Oliver is just what the people now require. You are below and also you might be precise and also certain to get this book A Poetry Handbook, By Mary Oliver Never ever doubt to obtain it even this is simply a publication. You could get this book A Poetry Handbook, By Mary Oliver as one of your collections. Yet, not the collection to display in your bookshelves. This is a precious publication to be reviewing collection.
A Poetry Handbook, by Mary Oliver
Ebook A Poetry Handbook, by Mary Oliver
Discover a lot more encounters and also knowledge by checking out the book qualified A Poetry Handbook, By Mary Oliver This is an e-book that you are searching for, right? That corrects. You have come to the best site, then. We consistently offer you A Poetry Handbook, By Mary Oliver and one of the most favourite books on the planet to download and install and took pleasure in reading. You might not dismiss that seeing this collection is a purpose and even by unexpected.
Why should be this publication A Poetry Handbook, By Mary Oliver to review? You will never ever obtain the understanding as well as experience without managing on your own there or trying on your own to do it. Thus, reviewing this e-book A Poetry Handbook, By Mary Oliver is needed. You can be great and proper enough to obtain just how vital is reviewing this A Poetry Handbook, By Mary Oliver Also you consistently review by responsibility, you could support yourself to have reading e-book routine. It will certainly be so helpful and also enjoyable after that.
However, exactly how is the method to obtain this e-book A Poetry Handbook, By Mary Oliver Still confused? No matter. You can delight in reviewing this publication A Poetry Handbook, By Mary Oliver by on the internet or soft data. Simply download and install guide A Poetry Handbook, By Mary Oliver in the link given to go to. You will certainly get this A Poetry Handbook, By Mary Oliver by online. After downloading, you can save the soft data in your computer or device. So, it will reduce you to read this book A Poetry Handbook, By Mary Oliver in particular time or place. It may be not exactly sure to take pleasure in reviewing this publication A Poetry Handbook, By Mary Oliver, since you have great deals of task. Yet, with this soft documents, you can delight in reviewing in the extra time also in the gaps of your jobs in workplace.
Again, reviewing habit will certainly always offer valuable benefits for you. You could not have to spend sometimes to review the e-book A Poetry Handbook, By Mary Oliver Simply adjusted apart numerous times in our extra or downtimes while having dish or in your workplace to check out. This A Poetry Handbook, By Mary Oliver will certainly reveal you new thing that you can do now. It will certainly assist you to improve the top quality of your life. Event it is simply an enjoyable book A Poetry Handbook, By Mary Oliver, you can be happier and a lot more enjoyable to take pleasure in reading.
With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver imparts an extraordinary amount of information in a remarkably short space. “Stunning” (Los Angeles Times). Index.
- Sales Rank: #2893 in Books
- Brand: Oliver, Mary
- Published on: 1994-08-15
- Released on: 1994-08-15
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .44" w x 5.31" l, .40 pounds
- Binding: Paperback
- 130 pages
From Publishers Weekly
National Book Award winner Oliver ( New and Selected Poems ) delivers with uncommon concision and good sense that paradoxical thing: a prose guide to writing poetry. Her discussion may be of equal interest to poetry readers and beginning or experienced writers. She's neither a romantic nor a mechanic, but someone who has observed poems and their writing closely and who writes with unassuming authority about the work she and others do, interspersing history and analysis with exemplary poems (the poets include James Wright, William Carlos Williams, Elizabeth Bishop, Marianne Moore and Walt Whitman). Divided into short chapters on sound, the line, imagery, tone, received forms and free verse, the book also considers the need for revision (an Oliver poem typically passes through 40 or 50 drafts before it is done) and the pros and cons of writing workshops. And though her prose is wisely spare, a reader also falls gladly on signs of a poet: "Who knows anyway what it is, that wild, silky part of ourselves without which no poem can live?" or "Poems begin in experience, but poems are not in fact experience . . . they exist in order to be poems."
Copyright 1994 Reed Business Information, Inc.
From Booklist
Why another such handbook, when Babette Deutsch's and John Hollander's are more than sufficient? Because Mary Oliver does more with this book than simply review the difference between a haiku and a tanka, between free verse and blank. She starts in at poetry's real beginning, discussing the need for patient application: the need, in brief, to write and to do so regularly. She immediately proceeds by insisting on the necessity of reading poetry and of imitating favorite poets, and she even includes a chapter on the usefulness of workshops. Her chapters on those basics, sound and meter, are brief but exact, and she offers an entire chapter on free verse, another on poetic diction. But it is not really the book's contents that make it such a treasure: it is rather the pithiness and perfection of Oliver's expression. She so deeply knows her craft that she can describe it with perfect simplicity and concision. Pat Monaghan
About the Author
Mary Oliver is one of the most celebrated and best-selling poets in America. Her books include Red Bird; Our World; Thirst; Blue Iris; New and Selected Poems, Volume One; and New and Selected Poems, Volume Two. She has also published five books of prose, including Rules for the Dance and, most recently, Long Life. She lives in Provincetown, Massachusetts.
Most helpful customer reviews
74 of 74 people found the following review helpful.
Poetry Handbooks written by poets
By J. Finnerty
Mary Oliver is a well-known, distinguished poet. Her book "A Poetry Handbook" was recommended to me by a professor from my current MFA Poetry program and it has been both a surprise, and a confirmation that poets themselves (not academics and critics) have the deepest insight into how to write a good poem. Oliver suggests that poetry is like a current ready to flow through you. It is not merely "an acquisition," a skill, or something outside yourself - but more a combination of punctuality in "showing up" to do the work, and an opening of the heart (or,as Oliver calls it: "that shy factory of the emotion.")
Each chapter addresses component parts of poetry writing: line, sound, diction, imagery, voice and more. Oliver's choice of poets: Whitman, Bishop, James Wright, Frost, Pound, are all strong choices, their poems providing supportive examples of her discussion of craft.
Most importantly, however, she provides the best piece of advise in her opening chapters: read, read, read poems. To be a good poet, you must read a range of poetry, spanning history and geography and style. And after that, Oliver provides the surprise (a heady permission I learned in my very early years of writing which has held fast through many moments of flagging confidence and motivation) "Imitate." We read, we imitate, and from this process we find our own voice and style. As Oliver tells us: "It demands finally, a thrust of our own imagination - a force, a new idea - to make sure that we don't merely copy, but inherit, and proceed from what we have learned."
Though beautifully simple and straightforward, I would not categorize this book as being for any particular level of writer: beginner, or accomplished. The beginner will learn well and happily, and the more accomplished writer will find again and again, much needed resonance for the continuing passion of writing poetry.
173 of 193 people found the following review helpful.
A solid text for readers and writers
By Michael J. Mazza
"A Poetry Handbook," by Mary Oliver, is a nonfiction prose text about the art of writing poetry. In the book Oliver, herself an excellent poet, gives a clear and painless introduction to some structural aspects of poetry. She defines many technical terms: alliteration, onomatopoeia, alexandrine, caesura, quatrain, persona, etc. She also discusses various poetic forms: sonnet, free verse, etc. Other topics addressed include imagery and diction. Throughout the book, Oliver illustrates her points with poetry by some of the greatest practitioners of the craft: Robert Frost, Walt Whitman, William Carlos Williams, Elizabeth Bishop, etc.
The book is aimed at both readers and writers of poetry. For the latter, Oliver reflects on such practical issues as revision and participation in poetry workshops. The book reflects Oliver's own philosophy of poetry. She stresses that poetry is a craft that requires work and discipline, and encourages the reader to think of poets as constituting a "tribe" that transcends all geographic and cultural boundaries.
The book is not without flaws. I found it quite Eurocentric; she never discusses the haiku, a Japanese verse form that has been embraced by many in the English-speaking world. Other non-Western forms are similarly neglected.
Some of her opinionated pronouncements also seem open to debate. She notes that a poem "gives pleasure through the authority and sweetness of the language," but I think some poems are effective conduits of rage or outrage and make use of unpleasant language to shake up the reader. Regarding the revision process, she notes that sometimes "it is simply best to throw a poem away" -- but, I ask, who is to make that decision? Something a poet might want to discard may in fact be a great poem in another's eyes.
Also, although she gives many good examples of good poems, it might have been interesting if she had included some bad ones to illustrate her points further.
Despite its flaws, however, I think that "A Poetry Handbook" would be a solid text for both individual reading and classroom use. And I think that some of Oliver's questionable statements could trigger productive discussion! Ultimately, I appreciate Oliver's declaration that poetry "is a life-cherishing force [...] as necessary as bread in the pockets of the hungry." Recommended as companion texts: Audre Lorde's essay "Poetry Is Not a Luxury," from her collection "Sister Outsider," and Pablo Neruda's prose collection "Passions and Impressions."
55 of 59 people found the following review helpful.
an inspiring guide to writing poetry
By alex2@plainfield.bypass.com
Mary Oliver's poetry itself can do some teaching on its own, but we can be grateful she's chosen to articulate the writing process so richly in this book. The book will almost certainly will wring some writing out of you; it will also inspire you to examine your work habits and technique. Oliver's intelligence shines through, and will make you a better reader of poetry. Small note on the previous review: Mary Oliver does, indeed, teach, at Bennington College currently. If you can't enroll there, this book is your next best choice.
A Poetry Handbook, by Mary Oliver PDF
A Poetry Handbook, by Mary Oliver EPub
A Poetry Handbook, by Mary Oliver Doc
A Poetry Handbook, by Mary Oliver iBooks
A Poetry Handbook, by Mary Oliver rtf
A Poetry Handbook, by Mary Oliver Mobipocket
A Poetry Handbook, by Mary Oliver Kindle
